The quiet rebellion of women who take pictures anyway
When you visit the island of Torcello in the Venetian lagoon, you observe a sign inside the basilica that forbids photography. Ugh, you think. But it’s so beautiful. Inside, the apse—a half-dome of sorts—is encrusted in gold mosaic. The Virgin Mary resides in its center, alone, regal, royal. It’s graphically arresting and elegant in its simplicity; it contrasts with the opposite wall, a riot of colors, shapes, lines… Biblical scenes of the Last Judgment.
The cathedral is exquisite. One simply must have pictures to remember. So you plan to purchase them in the form of postcards from the adjacent gift shop when you leave. Problem solved.
Why then, the click? Why then is that woman over there snapping away? Lost in thought, she roams the chapel, gazing at the art, studying the expressive scenes, recording her visit on her sleek 35mm Canon.
Your immediate thought: she must have special permission. She must be a researcher working on a project. You explain as much to your husband. No, he says, she’s just ignoring the sign. His nonchalance startles you. As if this is just what people do, and in this case, a woman.
Oh, you reply, secretly envying this woman’s quiet rebellion that allows her a certain freedom that you will never claim. Disobey a sign that clearly states no photos? You shake your head. It’s right there in 96-point Times New Roman even. You roll your eyes at her audacity. This disregard for convention and rules astounds you.
You wonder how much inevitable damage each click does to the Byzantine masterpieces. Over the decades, who knows? She could be causing irreparable harm, you think. This should go down on her permanent record, wherever those are.
You ask your husband about the inevitable damage. Probably doesn’t hurt the art at all, he explains, adding something he read reported most cameras have filters that limit or remove UV waves. Doesn’t damage a thing, he says.
Here I’ve been, you think, following all the rules all this time.
You continue to stare at this renegade designing her destiny, staking her claim with a few flashes that you still cannot bear to sneak on your measly iPhone. It’s true, you think, this woman has shown you to be the fool that you are.
She clicks another shot and checks the tiny screen. It must have been good, you think.
Her crimes finally and fully committed, the woman strides purposefully across the nave, stuffing her camera into a turquoise canvas tote bag. On the side of the bag is a design: two kitschy, feathery angel wings protruding from behind a shield. The design is cliché and you abhor that about things.